Tuesday, November 6, 2007

Why is Sh**ting on Sufjan Stevens so hilarious?

All my friends who don't live in New York hate New York. Near as I can tell, they imagine the city as one giant, loathsome American Apparel ad, a crass, joyless, narcissistic, careerist, emaciated, insincere, hopelessly uptight, suffocatingly twee cesspool of white-privilege Williamsburg hipsterdom. I'm paraphrasing; they're stereotyping. Mashed into the BAM Howard Gilman Opera House Saturday night, beholding the third and final sold-out performance of Sufjan Stevens's half-hour symphony dedicated to the Brooklyn-Queens Expressway, with roughly 15,000 musicians crammed onstage unleashing whirling, whimsical dervishes as five vegan-thin dancers cheerfully gyrate with glowing neon hula hoops and three video screens blare arty auto-erotic footage overhead, I revel in what my friends are missing even as I concede their point. Only in New York. This is precious, precious, precious stuff. Let me say up front that the world is a far more interesting and wondrous place with Sufjan in it; furthermore, one of his songs frequently makes me cry. We'll come back to that. For now, I have the hula-hoopers to contend with.

From The Village Voice

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